I read a story some time ago that, while sad, was not at all surprising. Former NBA standout Allen Iverson has fallen on hard times. He made millions but is now broke. It is a tale oft-repeated about people in popular entertainment (and make no mistake, professional athletes are, in fact, entertainers).
I recall watching his now-famous press conference–video gone viral–after he’d been fined by his team for missing practice. He repeated over and over again, “It’s just practice.” In other words, “when I’m playing the game, I’ll be all there.”
Really? Try selling that to Larry Bird, Michael Jordan, or Magic Johnson.
God alone knows how this capable man went from riches to rags. His career spanned the period of the mid 1990′s to 2010. It’s a sad story, one that could happen, I suppose, to any of us.
I’m going to be candid. I can’t help but wonder if Iverson’s dismissive attitude towards practice didn’t play some part in things going south for him. Again, God only knows. But ideas and mentalities have consequences. Blowing off practice or refusing to run out an infield fly ball in baseball (something we’d have gotten benched for in the 1970′s) says a lot about a person.
I get bored very easily. As a guitarist and pianist, I’m not content playing the same things over and over again. Stale food. No thanks. So I have to do things that keep me growing and sounding interesting. I don’t want to bore my wife or anybody else with ears.
In recent years, I’ve been doing some different things that have helped me play and think differently on the guitar. And I’ve been having a blast doing it as well. So I thought I’d share the wealth.
Play in alternate tunings. A few Autumns ago, I got totally inspired watching Jimmy Page demonstrate how he plays Led Zeppelin’s “Kashmir” to The Edge (U2) and Jack White (The White Stripes) in the outstanding documentary It Might Get Loud. Jimmy came up with this years ago while playing around in an alternate tuning: DADGAD. Operative phrase: Playing around. It’s profoundly simple and cool. (I’ve been playing “Kashmir” a lot and my wife digs it.). With alternate tunings, you get a lot of voicings not available in standard tuning. If you’re into this, learn a song by artists who’ve used alternate tunings a lot—Crosby, Stills & Nash, Led Zeppelin, Phil Keaggy, Pierre Bensusan, The Rolling Stones. Better yet, create your own.
Play musical theatre. A good deal of Broadway music is very involved, sophisticated and colorful. Usually written by brilliant composers on the piano. As a guitarist, you will find this extremely challenging. Here’s something fun—learn really complex chords at various positions all over the neck. You’ll love the colors. Pick a show you like (A Chorus Line, Wicked, West Side Story, etc.) and go from there.
Learn a song by one of your heroes. Eric Johnson used to learn—and I mean really learn—a song a month by Jimi Hendrix. Eric would take the song apart like a car engine and study it. His own readings of Hendrix classics are quite good. Years ago, I’d learn songs by sitting next to the record player and picking up the needle, over and over and over again, and repeating the song until I’d nailed it. Digital technology makes this so much easier. Whether your hero is Stevie Ray Vaughan or Joe Satriani or Tommy Emmanuel, find something you love and learn it cold. You’ll find that eventually you’ll develop your own voice and style. It’s what millions of guitarists have done for the past sixty years. Join their ranks.
Practice. Yes, proficiency on a musical instrument involves drudgery. Faithfulness outside of the eye and applause of the crowd. Your fidelity to practice will absolutely show when you hit the court.
Now go play. And remember:
It’s not just practice.