The Steve Vai Method

19 07 2012

In a week I will be playing guitars in the pit band for a local production of “River” themes on the St. Lawrence River.  We will be playing everything from Henry Mancini (“Moon River”) to Adele (“Rolling In The Deep”) to James Taylor (“The Water Is Wide”).  There is a wide and varied palette ahead for this show.  It should be a lot of fun

Playing in these shows is always a challenge.  I read music and that has helped me get these roles, which are a privilege.  I get to work with outstanding musicians.

This past month I’ve spent hours going through the scores—a piano reduction and guitar lead sheets, learning parts and rhythms.  It puts one through the paces to be sure.

This music is challenging and multi-faceted.   Most Broadway music–which comprises the bulk of the show–is.  It calls for focus and discipline, something I have to work at every day.  As I finished practiced tonight, I was again reminded of Steve Vai and his unbelievable work ethic regarding his art.

Steve used to divide his days up into twelve hours for guitar practice.  He may still be doing so.  Three hours for scales and modes, three hours for other things, and so forth.  If you’ve ever seen or heard Steve play, he is an extreme guitarist.  He does things most guitarists wouldn’t dare attempt.  His chops are precise, fluid and varied.  His execution of musical passages flawless.  His tones exotic, to say the least.

Vai’s genius, like Mozart and Tiger Woods, is rooted in deliberate practice.  Focus.  Distractions eliminated strategically.

He’s a graduate of the Berklee School of Music, so he knows music.  When he was breaking into the business over thirty years ago, he would transcribe the music and guitar solos of Frank Zappa—a musical genius in his own right.  And these transcriptions, of all parts in the songs, were written not as tablature (tabs) but as music proper.  That is an incredible feat in itself.  He eventually gave them to Zappa and worked with him.  The video below shows Steve playing and sharing about focus and practice.

Once again we are reminded that the key to mastery of any thing to which we aspire is time, focus and discipline.  Christopher Parkening, classical guitar virtuoso, once said, “You will always pay the full price for excellence.  It is never discounted.”

What things are you good and gifted at?  What kinds of changes can you make in their practice to take your skills to the level of virtuosity?  Are you up to the challenge?

I bet you are.

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